![]() It's great for acrylics and a whole range of media except for oil paints. The advantages are that it's very durable and strong, which means it won't tear, buckle or wrinkle, so you don't have to worry about stretching it beforehand. It's slick and non-absorbant and fun to experiment with. I've played around with Yupo and it has a weird surface that certainly doesn't feel like paper. After painting on the top sheet you can slice it from the pile and start working on the blank sheet underneath.įinally, you can try Yupo Watercolor Paper which is synthetic paper made from polypropylene. Watercolor blocks are thick sheets of paper stuck together by glue which has been applied around the edges. A convenient way around this is to buy watercolor paper blocks or panels. You can paint on watercolor paper with or without an acrylic gesso, but if you're using diluted acrylics to create watercolor effects you need to stretch the paper first to prevent wrinkling. You can also buy spiral-bound pads which are great for using outdoors but usually contain students' quality paper. Some manufacturers offer their paper in large rolls, which can save you money. ![]() Watercolor paper is typically bought in separate sheets. Use artists' grade if you care about quality and permanence, but save some money with students' grade if you're a beginner or just practicing. ![]() There are two main grades of watercolor paper: artists' and students' grade. You can also use acrylics on watercolor paper which comes in a range of grades, sizes, and textures.įor more information see my Watercolor Paper page. You can prevent this by using wood battening across the back and by priming the front, back and edges of the board. The only negatives are that large panels can bend and possibly warp over time. If you can't afford canvas but want something that'll last a while, give masonite a try. You can also purchase pre-primed masonite in a range of colors. You don't need primer, but most artists apply an acrylic gesso before painting. The front surface of masonite is smooth and the back is rough and textured.You can paint on the back, but most prefer to use the front which should be sanded beforehand to give the surface some tooth (unless you buy it ready-primed). For this reason you should use untempered masonite with acrylics which is softer and slightly more absorbent. Canvas for acrylic painting: Learn about canvas textures and weights, as well as 4 different ways canvas can be used as a painting surface for acrylics. This gives it a harder, sealed surface but makes it unsuitable for acrylics which won't mix with oil. The tempering process involves flooding the board with linseed oil after it comes out of the hot press. Masonite comes in tempered or untempered form.
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